-
Open a larger version of the following image in a popup:
Deux femmes se reposant, 1931
Drypoint
Open a larger version of the following image in a popup:
Dans l'arène, jeune homme achevant le Minotaure, 1933
Etching
Open a larger version of the following image in a popup:
Autoportrait sous trois formes: peintre couronné, sculpteur en buste et minotaure amoureux, 1933
Etching
Open a larger version of the following image in a popup:
Scène bacchique au Minotaure, 1933
Etching
Open a larger version of the following image in a popup:
Sculpteur et Modèle se regardant dans un miroir calé sur un autoportrait sculpté, 1933
Etching
Open a larger version of the following image in a popup:
Femme laide devant la sculpture d'une Marie-Thérèse athlétique appuyée sur un autoportrait du sculpteur, 1933
Etching
Open a larger version of the following image in a popup:
Trois femmes nues et une coupe d'anémones, 1933
Etching
Open a larger version of the following image in a popup:
Femmes entre elles avec Voyeur sculpté. Clin d'oeil au 'Bain turc', 1934
Etching, scraper and burin
Open a larger version of the following image in a popup:
Minotaure caressant du mufle la main d'une dormeuse, 1933
Drypoint
Open a larger version of the following image in a popup:
Garçon pensif veillant une dormeuse à la lumière d'une chandelle, 1934
Etching with aquatint, burin and scraper
Open a larger version of the following image in a popup:
Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée, 1934
Aquatint, scraper, burnisher and burin
Open a larger version of the following image in a popup:
Faune dévoilant une Dormeuse, 1936
Aquatint
Open a larger version of the following image in a popup:
Portrait de Vollard. I, 1937
Aquatint
Open a larger version of the following image in a popup:
Portrait de Vollard. II, 1937
Sugar-lift aquatint
Open a larger version of the following image in a popup:
Portrait de Vollard. III, 1937
Drypoint and etching
Pablo Picasso
La Suite Vollard, 1930 - 1937Etchings, drypoints and aquatintsFurther images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
-
(View a larger image of thumbnail 11
)
-
(View a larger image of thumbnail 12
)
-
(View a larger image of thumbnail 13
)
-
(View a larger image of thumbnail 14
)
-
(View a larger image of thumbnail 15
)
-
(View a larger image of thumbnail 16
)
The exceptionally rare complete suite of 100 impressions, 15 signed by the artist, from the regular edition of 260, on specially made Montval laid paper with Picasso and Vollard watermarks,...The exceptionally rare complete suite of 100 impressions, 15 signed by the artist, from the regular edition of 260, on specially made Montval laid paper with Picasso and Vollard watermarks, the full sheets, in original condition.
Fifteen of the subjects in this set are signed in pencil by Picasso (the last three in red pencil): Bloch 143, 176, 177, 178, 185, 191, 192, 201, 219, 225, 226, 230, 231, 232, 233.
The Vollard Suite, apart from the edition of three on parchment, was published unsigned, but Henri Petiet, who had bought the entire Vollard estate, was in the practice of taking individual groups of Vollard Suite prints to Picasso to sign; this happened over a period of years. Naturally enough, Petiet chose to ask the artist to sign the most important subjects , and complete Vollard Suites normally contain 15 subjects that have been signed. Our set is in exactly this format, with the most important fifteen subjects signed, the others left unsigned as originally published.
Provenance
Ambroise Vollard, Paris
Henri M. Petiet, Paris (acquired from the Vollard Estate)
Estate of Henri M. Petiet, Paris -
(View a larger image of thumbnail 1
)
MULDER ONLINE
Checking your information
Please check your email
We have sent you an email with a link to access this page.